The following is an analysis of the Australia Arabian Breed Standard image, an artist's representation. This image is not a real Arabian Horse, it is an artistic view of an ideal Arabian Horse.
The analysis is using the Arabian Horse's phenotype with respect to skeletal structure. This exercise takes the reader step by step through an analytical judgement of the Arabian Horse with a view to judging, breeding, riding and driving.
It is also wise to consider that the desertbred horse was created and bred for eons on the principle that their horse who would save their lives in tribal warfare. Through cultural diversity, the desertbred horse has variety.
Note well: this artistic impression is static, joint movements are not portrayed.
Artist: Sheila Stump
All italicized text are words and phrases from Dr Deb Bennett's works: Principles of Conformation Analysis Volumes 1 - 3
For a detailed anaylsis, seek out Dr Bennett's "Conformation Insights" series as presented in EQUUS magazine - October 2009 - November 2011 and/or later updates.
The viewer has an image in mind and the individual horse usually needs to fit to that ideal.
Lets look at the individual to see what it offers per the phenotype (tangible musclo-skeletal structure that in essence can be seen or palpitated).
By following the comparisons and ratios used below, an assessment can be made to see how versatile, or not, this individual maybe. Always remember, that the individual's attitude/character will carry it beyond some imperfections of its musculo-skeletal structure. Always remember: Nature compensates.
Look for overall body balance - is the body divisible by thirds?
The artistric image has a hindquarter (rear) 31.7%; trunk / body (middle) 30.9%; forehand (front) 37.4%
Governances:
Heavy chest, down-hill [forward facing back] is difficult to overcome and can predispose an individual to travelling on the forehand.
Thirds are denoted by
first third - point of shoulder, root of neck, withers and elbow.
middle third - freespan of the back
last third - point of hip, point of buttock and stifle.
The spine should give an indication of how the rest of the individual's bones are located, how they will attach, and perhaps function.
The spine is one continuous process, starting from the back of the skull to the very tip of the last tail bone.
Neck checks:
proportion to build
length relative to legs
length relative to body
attachment to head
placement relative to shoulder - low, medium or high
Considerations of neck lengths
Short upper curve, medium middle. long, deep lower curve
hammer headed, ewe necked, stargazer, too low root, too high head, unbalanced muscle development
Medium upper curve, medium to long middle, long, deep lower curve - common neck, less upright, maybe longer angle at throatlatch open, better than above but not as good as below
Medium to long upper curve, medium to long middle, short, shallow lower curve, straight out of front, ideal for stock work, endurance, racing, 3DE, hunter, polo
Medium to long upper curve, medium middle, short, shallow lower curve
arched neck, ideal for dressage, haute ecole, reining, park, parade, jumper
Forehand -
Hindquarter -
Governances:
Where the loin meets the croup is the beginning of the lumbo-sacral joint. Lumbo-sacral joint is where the spine travels through the pelvis. This area tends to be approx 6" (size of your palm) and is the key to the hindquarter's ability. This is the top most joint and it determines the power associated with the movement. All thrust goes through the lumbo-sacral joint and then transferred to the body via the loins. Poor or weak structure in the back or lumbo-sacral joint tends to sap the energy generated by the hindquarter.
Freespan of the individual's back trades off against strength - the longer the distance between withers and coupling (lumbo-sacral joint), the weaker the individual's back
High waist (flank) as well as narrowness from nearside to offside indicates weakness, structure strain / breakdown (lumpiness).
Low stifles - the hamstring muscle ties in low which gives medium to short gaskins and low hocks.
Quadricep muscle actively bring the hindlimb forward
Long femur and short gaskin confers over-stride
Estimate, or measure where possible, the total body length and the total pelvic length. The hindquarter is the source of power which transfers through the body to make a movement happen. The pelvis is the governing structure which allows the power to generate.
Governances:
Proportion of the hindquarters compared to the overall body length
35% or more equals excellent
Between 35% and 33% equals good
Between 33% and 29% equals average
Below 29% equals poor
Tight coupling allows for easier transference of energy (power) generated by the hindquarter to the forehand.
Short level coupling is strong can give stiff back with a better trot than canter.
Short peaked coupling isn't strong but can give a fluid canter, supple loin.
Better coupling = short which allows for elastic movement, undulating back
This image also show the depth of chest / barrel / (heart) girth relative to the length of legs.
Consider if an individual is wide (well sprung ribs) and deep through its body OR narrow - not as well sprung ribs even if otherwise deep.
When the individual is relaxed and stood square (hoof is weight bearing and cannon is vertical to the ground ie not on an angle), run a visual or imaginary plumbline down to see if the hind cannon is running true to the line and whether the cannon is parallel to the line.
ideally, stifles span a greater distance than hip sockets particularly if short coupled and round barrelled. Should display stifles that point out, hocks which point in and hooves which point out to same/similar degrees.
Pelvis: 31.7% of body length
Iliac pelvis is 72.5% of the pelvis and has an angulation of 103° to the femur.
Femur: 82.5% of the pelvis length, indicates the femur is shorter than could be expected.
Gaskin's angulation to the femur is 120°
Gaskin is longer than femur by 9% which indicates that the initial stride capability of the hindleg will be short steppening, won't overstep front hooves.
Gaskin to hind cannon is 48°
Pastern angle is indeterminable due to the set of the hindlegs
Total hindlimb length is 24% higher than the croup which makes the hindlimb well angulated ie not post legged, and also suggests that the hindlimb will force the hindquarter up when thrusting during movement.
View each hindleg separately from the rear - no two legs are the same regardless if they are on the 'same end of the horse'.
Check the width of the pelvis
Bone alignments into subsequent joints - look for offset, deviation, rotation or combinations thereof.
View both legs and check if cannons run parallel to each other.
Assess whether the individual is base-narrow or base-wide ie where the hooves are placed relative to the width of the pelvis
Non-parallel cannons can present idiosyncrasies such as:
check the lie of the shoulder
Check the
angle of the point of shoulder joint
angle of pastern (is it relative to the angle of the shoulder)
angle of hooves
Governances
Generally, the higher the point of shoulder and wider open the angle formed by the shoulder and the upper arm, the greater the scope and freedom of the individual's forelimb movements.
The lower the knee, the shorter the cannon bone, the stronger and more structurally stable the forelimb.
Compare pastern to cannon
too long if 75% of the cannon
too short if less than 50% of the cannon
The scapula governs entire forelimb
The humerus determines how the individual moves out front.
The humerus governs how the elbows, knee and fetlock joints fold.
The ball and socket joint of the scapula & humerus allows the only side-way movement.
longer humerus = scopey movement
shorter humerus = choppy movement
steeper rest angle of the humerus, the higher the knees can be raised
more horizontal rest angle of the humerus, less knee action and folding ability > grass clipper
should humerus actually descend straight down or even slope to the outside, abnormal movement, limb damage and unattractive conformation are the result.
upright shoulder allows -
- an individual to stand and work under themselves in the forehand if combined with a 90° angle of humerus (too horizontal),
- high knee action,
low shoulder angles strike toe first, slam heel therefore grow more toe
laid back shoulder doesn't allow exceptional jumping abilities
Start with the chest box, locate the point of shoulder - remember these locations or place a dot point on the individual. Locate the point of shoulder, locate (as illustrated right) the point of elbow and transfer that location to the front of the chest. Connect these four points by drawing a box (illustrated middle). The box with indicate
depth of the chest
balance of the chest
how the legs will 'fall' from the chest (body) of the horse
As like the rear - review the front legs separately.
Check alignment of all bone structures. Does each bone exit from the each joint in a balanced manner down to the very last bone in the hoof.
Can you see an offset, a deviation and/or rotation in these bones relative to the chest, in one or both leg(s)? What can be seen in one leg, may not be seen in the other. Review each leg separately.
Middle image - can you see the offside front leg is expressing deviation into the knee and a deviation out of the knee. The lines into and out of the circles / joints are not straight. The hoof is showing a tendency to rotate out and yet, places the weight on the inside of the hoof allowing the outside to grow longer.
First image - the near side front leg is expressing deviation into the knee and a slight deviation out of the knee. The hoof is showing a tendency to marginally rotate out, placing the weight on the outside of the hoof allowing the inside of the hoof to grow longer.
Third image - notice that the box is not rectangular. The result is the individual is base narrow for the size of its chest. Hence the leg alignments noted above.
The set of the humerus at the point of the shoulder determines the orientation of the elbow and of the lower part of the front limb. Impact:
Elbows which sit narrower than the point of shoulder lead to hooves toeing out (splayed toes). Toeing out compensates for high knees.
Elbows which sit wider than the point of shoulder lead to hooves toeing in (pigeon toed)
Toes pointing out or in are not the cause but rather the result of the structure and alignment of all the other forelimb bones.
Shield shaped knees compensate slight offset cannons.
Check the build of the neck, relative to the build of the body such as:
feminine body - elegant neck;
masculine body - robust neck.
Review the length of the neck - can the individual reach the ground to graze without putting unnecessary strain on other parts of their body. Measure or estimate the length to the ground from mid chest as compared to the length of the underline presented by the combination of neck and head.
Review the balance of the neck to the overall body - from the mid-point of the wither is there a balance of length between the area to the rear of the mid-wither point to the area forward of the mid-wither point.
The image shows a neck length of 70.6% of leg length, therefore is shorter and will not reach the ground without this individual scissoring their front legs to eat and drink naturally.
Is the croup height relative to the wither height?
Too high in the croup - horse is down-hill or forward facing
Too low in the croup - horse is up-hill.
The croup height of this individual is relative to the wither height. Expresses a natural curve of the back.
Where is the lumbo-sacral joint relative to the root of the neck - 2 points of the spinal process?
The root of the neck is palpable, gently, with the palms of your hands and represents the last (7th) cervical vertebrae of the spine within the neck region.
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